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Powys author uses pandemic to write second book – 93-year-old

A LOT of people have used lockdown to try their hand at a new skill or found the time they have been waiting for a long time to complete a precious pet project.

Eugene Barter was one of those people, using his downtime from the coronavirus pandemic to publish a book – aged 93.

Eugene has a solid background as a writer, having started his professional life as a junior reporter for the Barry Herald. She has always been eager to take on new challenges, with her life having seen many incredible twists and turns including her move to France and her career as private secretary to former Prime Minister Sir Edward Heath.

The Best of Times is Eugene’s second book for which she says she has to thank the lockdown.

“I belong to Brecon WI and Probus and I was asked to write a few articles for their newsletters, which they each circulated to members because they couldn’t meet,” he said. she declared.

“I started to write memories of my youth in Penarth, and they seemed to fall well.”

At 60, Eugene decides that it is better to spend his retirement in France with his sister and his brother-in-law to run an inn. A few years later, upon her return to the UK, she decided to write about her experiences there, which became her first book, Blackbirds Baked in a Pie, published by Sunpenny Publishing, when she had 80 years old.

Her literary beginnings led her to give numerous lectures and attend book signing sessions. “Whenever I gave a lecture on my writing, people were especially fascinated by my time with Edward Heath – who is barely mentioned in my first book,” Eugene said.

His memories of life with the former Tory Prime Minister, who was in power from June 1970 to March 1974 and succeeded by Margaret Thatcher, combined with stories of work for him, seamlessly morphed into The Best of Times.

“I certainly consider working for Mr. Heath to be one of the happiest times of my life, and our friendship continued for many years thereafter,” added Eugene.

Eugene’s friendship with the former Prime Minister continued after his retirement, helped by the fact that he was a regular visitor to a music festival held not far from his place of residence. She mentions it briefly in the first book but, thereafter, whenever she has brought it up, questions have always strayed from her time with Mr. Heath and what he really was. Eventually, she decided to write a biography about him, but by the time she finished it, several books came out about him and she failed to arouse interest in his manuscript.

Then Covid-19 hit, and her usual WI and Probus club outlets in Brecon came to a screeching halt, and she became very isolated, living with her son in Trallong, between Brecon and Sennybridge. In order to keep morale up and entertain his colleagues, both organizations asked him to write articles for their newsletters, and anecdotes about his youth were written.

She was already in discussion with Saron Publishers about his Heath manuscript, and she believed that combining her anecdotes and memories of him with an account of her own adventurous life would make a great book. And so, the idea for The Best of Times was born.

“Working on my book was definitely the one thing I held onto during the pandemic and kept me busy and focused for a time that would otherwise have been unbearable,” Eugene added.

“Other than my son, I have no family nearby and I don’t socialize – all of my manuscripts are typed.

At 93, Eugene is not sure if she has any other books in her, although she still has a mass of material that she has collected for the full original book on Mr. Heath, to include her parliamentary career and d ‘other aspects, so she’s still considering a follow-up with Saron.

From his childhood in Penarth to the rigors of WWII and a variety of jobs here and abroad, The Best of Times shines with candor and wit. And Eugene’s passionate support for Edward Heath shows another side of the man many considered difficult.

“A delightful book, full of humor and fun anecdotes,” was how BBC correspondent John Osman described the book.

It’s available now, priced at £ 9.99. Copies can be purchased directly from the publisher by emailing [email protected], or through Amazon, in paperback or e-book format.


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Author Patricia Nicol unveils a selection of the best books on lighthouses

Author Patricia Nicol unveils a selection of the best books on lighthouses

  • Patricia Nicol unveiled her best selection of books on lighthouses
  • Emma Stonex’s Says The Lamplighters is a literary suspense mystery
  • Writer Robert Louis Stevenson chose literature over following his grandfather, father and uncles in lighthouse engineering

By Patricia Nicol for the Daily Mail

Posted: | Update:










One of my favorite jobs when working (briefly) for a regional newspaper in Scotland was touring lighthouses and coastguard posts in the late evening.

It was like my own personal expedition news. I would call somewhere like Fair Isle or Cromarty and ask, “Did something happen?

In my mind, I imagine a person positioned at the top of a lighthouse, watching the choppy or placid sea, perhaps dressed like Captain Haddock of Tintin.

At that time, the last operating lighthouses in the UK were in the process of automation. Yet they still exert literary attraction as destinations, lonely sanctuary places, and guiding lighthouses.

Particia shared The Lamplighters is one of her favorites

Patricia Nicol unveiled her best selection of lighthouse books, including To The Lighthouse (left) and The Lamplighters (right)

Emma Stonex’s The Lamplighters is a literary thriller, with a dark Cornish backdrop.

In December 1972, a rescue boat arrived at the desolate Maiden Rock Lighthouse, off Land’s End, to discover the locked entrance, a meal for two, the clocks set, and the chief warden’s diary describing nonexistent storms.

More strangely, the three guards have disappeared. Twenty years later, an author contacts the widows of men to write a book on the effects of these events.

Stonex was in part inspired by the actual demise of the keepers of the remote Hebridean lighthouse, Eilean Mor, in 1900.

Another Scottish island lighthouse, Eilean Ban, is said to have been Virginia Woolf’s inspiration for her novel To The Lighthouse. The Woolf Classic is a tale of two summer trips, separated by World War I, to the Ramsay family’s vacation home on the Isle of Skye.

Writer Robert Louis Stevenson chose literature over following his grandfather, father and uncles in lighthouse engineering.

But surely their stories informed Kidnapped’s vivid shipwreck scene? The heroic history of her ancestors in building life-saving coastal structures is explored in Bella Bathurst’s non-fiction book The Lighthouse Stevensons.

If you take our seas this summer, have a thankful thought for those who are trying to make them safer.

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Japan-based author is first Taiwanese to win Akutagawa Prize

Tokyo, August 27 (CNA) Japanese writer Li Kotomi (李琴峰) received the Akutagawa Prize on Friday, becoming the first Taiwanese to win the prestigious award for emerging talented authors.

She was chosen for her work “An Island Where Red Spider Lilies Bloom”, which was first featured in the March edition of Japanese literary magazine Bungakukai.

It tells the story of a matriarchal society on a fictional island between Taiwan and Japan, which asks questions about gender equality.

During her acceptance speech, Li said that she owed her life to knowledge and literature, thanks to which she was able to cope with anger and pain, since she did not come in. this world of its own free will.

Li said she hoped the prize could become another miracle to help her get on with her life, just like the main character in her award-winning novel, who escaped death due to a miracle.

The young author, born in Taiwan in 1989 and moved to Japan to study in 2013, also expressed hope that she could leave the world with several mind-boggling novels before her death.

Li said she felt grateful for her multicultural background, as the language and culture she grew up with in Taiwan and her upbringing in Japan “without a doubt became the flesh and blood of my literary works.”

“Taiwan and Japan are important places for me,” she said.

Shuichi Yoshida, former Akutagawa Prize winner and jury member for the award this year, said he loved Taiwan very much and felt honored to be able to assess Li’s work and see her win the award.

Li has a knack for telling stories in different languages, creating a much larger literary world than he imagined, Yoshida said, and he encouraged Li to continue writing novels.

(By Yang Ming-chu and Lee Hsin-Yin)

Final element / ls


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Obituary: Jill Murphy, author and children’s illustrator behind the hugely popular “Worst Witch” series

Jill Murphy, the children’s writer, who died of cancer at the age of 72, was the author and illustrator of the phenomenally successful Worst Witch story series for young children, chronicling the misadventures of the kind Mildred Hubble, an accident-prone trainee witch at Miss Cackle’s Academy for Witches who always botches her spells.

The first opus was released in 1974 and it took Jill Murphy over 40 years to write the next seven, completing the series in 2018 with First prize for the The worst witch. Her clean, clean style and charming illustrations have proven successful and the books have never been out of print.

The stories of the disastrous magic of Mildred Hubble inspired a 40-part ITV series in the late 1990s, starring Felicity Jones as Mildred, as well as a series on CBBC (2017-20). In 2019 a musical staging, The worst witch, opened in the West End and won an Olivier Award.

In recent years, Mildred Hubble’s fame has been eclipsed by that of JK Rowling Harry potter, though critics have often noticed similarities between the two series, both of which feature young characters who go to boarding schools to learn potions, spells, and broomstick prowess.

However, Jill Murphy’s crisp prose generally allowed an action-packed storyline to unfold in under 200 pages. And there was no Lord Voldemort to give young children sleepless nights.

JK Rowling did not recognize Jill Murphy’s work as an inspiration and Jill Murphy was generally reluctant to comment, although pressed by The daily telegraph in 2019, she admitted: “It would be nice, I guess, if people said thank you. But you have to be courteous. “

Jill Murphy was born in London on July 5, 1949, the daughter of an Irish aeronautical engineer and librarian whom he met during the war. A gifted but quirky child, she read newspapers before starting school and was good at drawing.

She won a place at Ursuline High School at Wimbledon, but struggled to fit in.

Her teachers, she recalls, found her too content with herself and, although she was good at writing and drawing, they took pleasure in pointing out her “desperation in all other areas of the program and her total lack of common sense ”.

The school became the model for Miss Cackle’s Academy, as she based her chaotic heroine partly on herself. She was 14 when she wrote the first draft of The worst witch illustrate it with your own drawings.

She left school at 16 and went to art schools in Chelsea and Croydon, followed by Camberwell, but didn’t find it easier to fit in and was kicked out of Camberwell after just six months.

She worked as a housekeeper and nanny, spent time in a village in Togo, West Africa, with her first husband, and received rejection letters from several publishers before a small imprint named Allison & Busby did take over. The worst witch and printed in 5,000 copies.

In two months he was exhausted.

Jill Murphy continued to work as a nanny until the publication of The worst witch strikes again in 1980, when she decided to write full time. She has written and illustrated many other children’s books, including Peace at last, on poor Mr. Bear and his efforts to get a good night’s sleep; Five minutes of peace (1986), the first in a series of 11 picture books on Larges, a family of elephants; The last Noo Noo (1995), about a monster named Marlan and his love for models; Dear dog (2009), about a lost dog; and Merger (2016), about a rabbit named Ruby having a temper tantrum in a supermarket.

Jill Murphy, who lived in North Cornwall, was diagnosed with breast cancer in the mid-1990s. In 2015, she was told the cancer had returned.

She has been married twice. Both marriages have been dissolved and she is survived by a son of her ssecond marriage to Roger Michell.


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‘I have to see it all’: Denver music composer G. Brown, industry pioneer | Denver-gazette

G. Brown is a man of 3,248 stories (and at least as many bad jokes). That’s the number of music personalities he interviewed during his 26-year career as a pop music writer for the Denver Post.

Brown can tell you about the time in 1978 when he had a chance meeting with Bruce Springsteen on an otherwise empty sidewalk in LA. Brown, then still a student at the University of Colorado in Boulder, was driving 10 miles for a CBS Records meeting because he didn’t have enough change in his pockets for the bus tickets. Springsteen was taking a break from recording that day and just wanted to walk around a town where, apparently, only broke college students and the Jersey Boys walk anywhere. A friendly chat ensued before The Boss got back to work on an album that turned out to be “Darkness on the Edge of Town”.

“I was hoping for ‘Born to Walk’,” Brown says now. (Rim shot.)

He can tell you about the time in the early 1970s when he saw a young Bonnie Raitt perform at Tulagi in Boulder, then grab a broom and help the crew clean the bar. And he can tell you about the time he saw The Police perform at Rainbow Music Hall for $ 3 in 1979 – and chat with Sting when he was just a guy traveling across the country in a van with two. friends. (Thirty years later, people eagerly paid $ 250 to attend the reunion tour.)

Brown was part of a golden age of daily music coverage that coincided with an explosion of growth in the recording industry – and they nurtured each other. For the first time, newspapers were hiring writers to cover pop music as a real beat. Brown pitched to cover music for The Denver Post in 1977 while still a sophomore at CU – and his Genesis band profile got him the gig.

At the same time, record companies were releasing mega-albums like Fleetwood Mac’s “Rumors”, sending their artists on tour to sell them, and serving up superstar interviews to enthusiastic regional beat writers as part of the marketing machine. .

This has placed Brown and about two dozen other daily beat journalists in some of the most envied – and respected – jobs in music journalism. Even Huey Lewis says so.

“I always thought that the music journalists of the big dailies were more credible than the others, if only for the fact that they saw and listened to so much more music than anyone else,” said Lewis. “G. Brown proves my point with his ‘On Record’ books.

Lewis was commenting in support of Brown’s ongoing series of 21 artfully crafted coffee table books that each take a 350-page encyclopedic look at a popular music year from 1978 to 1998 through the albums that were released. Not only did Brown have access to just about every active and unknown superstars in the industry, but he received each new release and the accompanying press kit in advance.

And he kept everything.

We’re talking 50 Banker Boxes in his basement filled with albums, tapes, CDs, press notes, and the holy grail: the often hilarious (in retrospect) official press publicity photos that accompanied every outing and now present themselves as a sort of tape-by-tape musical capsule. Brown’s collection has survived four moves thanks in particular to the kindness of a wife he calls “Sainte Brigitte”.

“I just had this collector’s gene,” said Brown, who grew up in Arvada collecting stamps, coins, baseball cards and Denver Broncos Coca-Cola bottle caps. Thus, from the start of his career as a journalist, he knew in a way how to safeguard every press kit he received from musical acts covering pop, rock, country, punk, grunge, R&B, rap and more.

“I just felt there was value to them,” he said. “I didn’t know what it was then.”

He’s doing it well now.

Brown spends the time of his life organizing his treasure for a definitive look at these pivotal years in the history of music. Each volume features most of the major album releases on two pages: one for those overwhelmingly funny publicity photos; the other for a tight 300-word Brown essay that incorporated quotes from key band members he interviewed at the time. It even includes an epilogue covering albums of artists he hasn’t had a chance to speak with – so it leaves no streak untouched.

“These books have an undeniable nostalgic component, and they also have value as reference books,” Brown said. “But I’m extremely proud that the essays weren’t just a first-person discussion of what it all meant. It’s a simple report on a band talking about a given outing in a given year.

Brown publishes the books, edited by Jon Rizzi and designed by Kate Glassner Brainerd, through a cultural and educational nonprofit he founded, The Colorado Music Experience. To date, three books in the series, which are not published in chronological order, are published and available on colomusic.org: 1978 (think Billy Joel, The Cars and Devo), 1984 (think Prince, Joe Jackson and “The Curly Shuffle”) and 1991 (think Garth Brooks, Hammer and Nirvana). Brown hopes to continue producing a new tome every three months until the work is complete.

Together, Brown says the series represents a unique archive of musical history that does not exist in the same way anywhere else. Perhaps because none of his national colleagues had as much forethought – or basement space – as Brown.

“I think the show is a celebration of the material age when we care about the album cover and the cover notes and the release date of an album,” Brown said, “because that meant you could go into a record store and get it and actually hold it.

Brown wrote for the Denver Post until 2003, but he ended his series of books in 1998 because he sees this year as a line in the sand between eras in the recording industry. “That’s when Shawn Fanning came up with Napster, and that was the start of everything going digital,” he said. “That’s when everything changed in the recording industry.”

And in music journalism. Brown barely recognizes the landscape today, now that nearly all of those beat jobs that were once held by discipline-specific specialists have been lumped into one (if that) general entertainment reporter desperately tasked with covering music, television. , cinema, theater and fine arts. arts at the same time. The idea of ​​a job in a daily newspaper dedicated to chatting with three or four popular music stars a week is now unthinkable. Brown knows how good he had it.

“I was fortunate enough to write for a major daily when the newspapers meant something,” he said. “I was able to cover the beat as a journalist, using my journalism. I have to cover it in a unique way.

“And I got to see it all.”

Denver Gazette art columnist John Moore is an award-winning journalist who was named one of American Theater Magazine’s 10 Most Influential Theater Critics. He now produces freelance journalism through his own business, Moore Media.


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How to Read Like an Australian Writer – The Bookshelf

What does it mean to read as a writer? Novelist and scholar Belinda Castles posed this question to twenty-five writers and gathered their thoughts into a generous analytical collection of essays in which each writer spoke about the work of another writer or an individual novel, such as a way to talk about reading and its impact. . Kate spoke to Belinda and two of the other contributors to this collection (Debra Adelaide and Nicholas Jose), with thoughts on how reading works.

Plus, detective writer Will Dean explains what it means to live in a secluded cabin in Sweden, where wolves howl and moose roam, and how this place found its place in his writing and the character of Tuva Moodyson. He also reveals the library that influenced him, in conversation with Kate.

And Cassie and Kate talk to Big Weekend of Books 2021 curator Michaela Kalowski about what’s to come.

BOOKS

Castles of Belinda (ed), Read like an Australian writer, New South

Will Dean, Dark pines, Red snow, Bad apples (the Tuva Moodyson series), Bloomsbury

GUESTS

Michaela Kalowski, Curator, RN’s Big Weekend of Books

Belinda Castles, novelist and literary scholar. Editor, Read like an Australian writer. In her essay for this collection, she focuses on Peter Carey Oscar and Lucinda

Debra Adelaide, writer whose books include the collection of short stories Zebra and the collection of essays, The innocent reader. In Read like an Australian writer, she focuses on Kate Jennings Snake

Nicholas Jose, writer whose books include the novel Paper nautilus and non-fiction Arabic phone. In Read like an Australian writer, it focuses on the work of JM Coetzee Elisabeth costello

Will Dean, Sweden-based crime writer whose books include the Tuva Moodyson series

Other books mentioned in the discussion

For an overview of the Great Book Weekend, click here

Colm McCann, Letters to a Young Writer: Some Practical and Philosophical Advice

Peter Carey, Oscar and Lucinda

Kate Jennings, Snake

JM Coetzee, Elisabeth costello

Shirley Jackson, work

Stephen King, work

Yaa Gyasi, Back home

Cormac McCarthy, There is no country for old people

James Lee Burke, works

Chris Whitaker, We start at the end

Dennis Lehane, works

Gillian Flynn, works

Henning Mankell, works

Stieg Larsson, works

Peter Høeg, Miss Smilla’s feeling for the snow

SA Cosby, Razor blade tears

Music

Magnetic heads, The street

The tallest man on earth, Weather of a murderous kind

Sascha Astrid, Be alone


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Indigenous author Salida Jane McPhetres Johnson to read from a new book – by Brooke Gilmore

Jane McPhetres Johnson, a writer from Salida, to read an excerpt from her new book Maven reaches Mars at 5:30 p.m. on August 27 at the regional library of Salida. Johnson was born at Denver & Rio Grande Railroad Hospital, while her father taught at Salida High School. She now lives in Massachusetts.

Jane graduated from UNC in Greeley, then earned a Master of Fine Arts (MFA) in Poetry from Goddard College in Vermont, while raising two sons in Sheridan, Wyoming. His poems have been published in electronic magazines and journals online and in print. Maven is his first collection, the work of a lifetime during the pandemic.

Maven Reaches Mars: House Poems and Space Probes in Four Papers is a collection of poems presented as an imaginary journey in four stages through time and space. It begins with memories and images of an idyllic childhood in Colorado, his “launching pad”. The journey ends in a very different place, a world so changed it can look like Mars.

The aging process can be disorienting for anyone, but this writer acquires a greater sensitivity. His poems come to the conclusion that his own lifespan and that of humanity itself seem to follow the same trajectory.

A grim prospect indeed, but Maven manages to present harsh reality with ironic humor and warmth in poems that use traditional forms and poetic elements of rhyme and rhythm alongside free verse. A nugget is for her mother, who also taught at Salida High School:

DAY BEFORE

Get up early, she got the job done

she always had.

I dreamed of these sounds

but what woke me up

was love, slow

so calm

closing my door.


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Former Alaska award-winning writer Frank Soos dies in bicycle accident in Maine

Through Daily News from Anchorage

Updated: 8 hours ago Posted: 9 hours ago

Courtesy of UAS Frank Soos (Courtesy of UAS)

Frank Soos, a former Alaska Writer Laureate and longtime professor of creative writing at the University of Alaska Fairbanks, passed away last week. Soos was 70 years old.

The essayist and short story writer was killed in a bicycle accident on Wednesday August 18, according to an article in the Fairbanks News-Miner. Soos lived in Fairbanks with his wife Margo Klass, a multimedia artist and frequent collaborator, but the accident happened in Maine, where the couple often spent time in the summer.

Soos was born in 1950 and raised in the coal town of Pocahontas, Virginia. He attended Davidson (NC) College and the University of Arkansas, and came to Alaska in 1986 after being hired to teach creative writing in the English Department at UAF. Anne Hanley wrote in the Anchorage Daily News in 2005 that “he wowed nearly two decades of students with his gentle wit, then nailed them down with his probing questions.”

[Related: Literary ambition: Alaska State Writer looks to promote work of others]

Soos retired as UAF Professor Emeritus in 2004.

Soos was a member of the board of directors and chair of the 49 Writers statewide organization program. Current board chair Barbara Hood said Soos was always calm and never brutal – but always candid.

“He had a really weird ability that we don’t all recognize, helps us see what we were trying to write about,” Hood said. “It’s not always easy to ask the question that a good essayist asks, and he always brought us back to it.

“I think we all feel very privileged that he’s part of our world,” she said.

Soos’ work included “Unified Field Theory,” “Bamboo Fly Rod Suite: Reflections on Fishing and the Geography of Grace” and “Unpleasant: Considerations on Difficult Questions”. He was a member of the National Endowment for the Humanities in 1989 and won a Flannery O’Connor Award for Fictional Short Film in 1998 for “Unified Field Theory”.

Soos was an avid cross-country skier, cyclist, backpacker and outdoor enthusiast. His time in the natural world has often influenced his writing, most notably in an essay on climate change recently published in the Washington Post.

In a memory shared on the Nordic Ski Club of Fairbanks website, Dave Musgrave, a close friend of Soos, wrote that he was a soft-spoken “6′5” man, thin as a rail with huge ears. , a biscuit feather mustache, drooping hair and angular limbs. A sort of Ichabod Crane with a baseball cap.

… He was modest about his own accomplishments and was self-deprecating and introspective. His dry mind was sharp. His knowledge of the world of politics and pop culture was wide and deep. “

Soos was named an Alaska Writer’s Laureate in 2014.

“He’s just the best teacher I’ve ever known hands down,” Fairbanks artist and UAF professor Kes Woodward said of Soos in 2014.

“I took his classes and worked with his students at all levels. Part of the fact that he’s a great teacher is that he’s also a great writer, you can’t separate the two. “


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Tom Flynn, editor of Free Inquiry, author and secular humanist leader, dies at 66

(RNS) – Tom Flynn, former executive director of the Council for Secular Humanism and editor of Free Inquiry magazine, has passed away.

He was 66 years old.

Flynn’s death was announcement Monday (August 23) by the Center for Inquiry, a nonprofit organization that strives to “foster a secular society founded on reason, science, freedom of inquiry and humanistic values.” Described as a “colleague, teacher and friend,” Flynn had been affiliated with the center for over 30 years.

RELATED: After giving up religion, atheists try to give up something else for Lent

“An austere rationalist and a staunch atheist if there is one, Tom was nonetheless overflowing with enthusiasm, curiosity, daring ideas and perhaps above all humor,” reads the centre’s press release announcing the death. by Flynn. “He had a deep love and encyclopedic knowledge of the history of free thought and was dedicated to the preservation and rediscovery of the great untold stories of American free thought.”

Flynn also directed the Robert Green Ingersoll Birthplace Museum, which commemorates the 19th century orator and lecturer known as “the great agnostic”.

A prolific writer, Flynn was known for his essays on atheism, religion, and secular ideals, as well as his satirical science fiction novels, known as The Messiah Trilogy. He wrote “The Trouble With Christmas”, featuring the Anti-Claus, a character with a “prank hat” that Flynn sometimes disguised himself in.

Flynn was known for his friendship, dedication, and sense of humor.

“Tom didn’t believe in magic, but he was magic,” Robyn E. Blumner, president and CEO of the Center for Inquiry, said in a statement. “How else would you describe this unlikely combination of sparkle, charm, vision and accomplishment of rolling up your sleeves?”

Edward Tabash, president of the Center for Inquiry, described Flynn as “our conscience against religious bigotry.”

RELATED: To atheists, the idea of ​​aliens seems real. The religious doubt it.

“His humor and sharp wit were simply unmatched,” Tabash said in a statement. “The best way to honor Tom’s memory and all the wonderful work he has done is to continue to dedicate ourselves to ending religious bigotry anywhere and everywhere.”

In a 2017 blog post titled “What Secular Humanism Means to Me,” Flynn, who grew up in a traditional Catholic home, described becoming a secular humanist as an act of empowerment.

“In my opinion, the realization that existence is purely physical – not only that there is no supernatural, but that there is no spirit beside which the physical world has to come second – perhaps the greatest emancipation of all. It frees me to cherish this life on its own terms, ”he wrote. “I must no longer devalue my existence as a prologue in the blink of an eye to unlimited perpetuity where, if only because of its incalculably larger scale, the real meaning must reside. “

Flynn also disagreed with those who believe that morality is related to religion. Humanists, he argued, are free to develop “a truly relevant morality, rooted in the real world and in the physical and social consequences of life as humans experience it”.

“For lay humanists, the obligation to live morally is in no way diminished; it is as real to us as it is to any believer, ”he wrote. “But as secular humanists we define the terms of what is moral using reason, compassion, common sense and the wisdom of our species. Freed from the imperative of being on God’s side, we can finally take our own.

Flynn is survived by his wife, Sue.

This is a developing story and will be updated.


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Mills & Boon author on Why We Love To Read About Love In The Times Of Covid






Mills & Boon author on Why We Love To Read About Love In The Times Of Covid



































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